Estos textos analizan la forma en que se hace y se ha hecho cine desde lo indígena. Los tres dan cuenta de las estésticas y las perspectivas que han adoptado las producciones audiovisuales, convirtiéndose ellas mismas en herramientas de lucha política. Con ellas buscan mostrarse desde lo que son hacia el mundo y no que el mundo sea quien los define de vuelta.
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omar.rincon(at)fes.de daniela.bohorquez(at)fes.de estefania.avella(at)fes.de
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